摘要：正值米兰设计周（Fuori Salone）三十五周年之际，无间设计创始人、设计师吴滨先生再度应《INTERNI》意大利版邀请参与此次全球范围内备受瞩目的设计盛会。展览由《INTERNI》主编、米兰设计周发起人、前法国文化部艺术与文学部长Gilda Bojard
正值米兰设计周（Fuori Salone）三十五周年之际，无间设计创始人、设计师吴滨先生再度应《INTERNI》意大利版邀请参与此次全球范围内备受瞩目的设计盛会。展览由《INTERNI》主编、米兰设计周发起人、前法国文化部艺术与文学部长Gilda Bojardi亲自策划，汇聚全球视野与先锋创意。
《杳然庭》作为“游山记”系列的全新艺术装置，坐落于米兰设计周历史最悠久、最核心的区域——米兰大学中央庭院Cortile d’Onore。吴滨用东方的美学意识来记录当代设计的艺术性，并以“摩登东方”的设计语言探寻东方精神，回应本届设计周 “Cre-Action” 的命题。
作为“游山记”系列的进一步表达，《杳然庭》标志着吴滨持续向世界输出东方美学的创作实践。在传统空间设计之上，不断拓展艺术表达的边界，打造一个又一个当代东方的艺术想象，于全球设计语境中提出独立而鲜明的东方立场。
To mark the 35th anniversary of Fuori Salone at Milan Design Week, W.DESIGN founder and designer Wu Bin was once again invited by INTERNI (Italy) to participate in this globally renowned event. Curated by INTERNI’s Editor-in-Chief and Fuori Salone founder Gilda Bojardi, the exhibition brings together cutting-edge creativity and international perspectives.
Drifting Yǎo, the latest installation in the Travelogue on Mountains series, is located in the historic Cortile d’Onore at the University of Milan. Wu Bin uses Eastern aesthetics to explore the creation and transmission of Eastern spirit through his design language of Modern Orientalism, responding to the theme “Cre-Action.”
This installation continues Wu Bin's exploration of Eastern aesthetics in contemporary design, pushing the boundaries of artistic expression and presenting a distinct Eastern perspective in the global design context.
知名设计杂志INTERNI主编兼米兰设计周发起人Gilda Bojardi女士邀请包括国际建筑师和设计师在内的200位嘉宾，共同出席米兰设计周Fuori Salone的发布会。当日，米兰市市长Giuseppe Sala、米兰大学校长Marina Brambilla、戈里齐亚市市长Rodolfo Ziberna、蒙达多利集团首席执行官Antonio Porro以及奥迪意大利总监Timm Barlet等社会各界代表齐聚一堂，共同为米兰设计周的开幕献上致辞。
On the occasion of the Milan Design Week Fuori Salone launch, INTERNI Editor-in-Chief and Milan Design Week founder Gilda Bojardi invited 200 distinguished guests, including international architects and designers. On that day, Milan's Mayor Giuseppe Sala, University of Milan Rector Marina Brambilla, Gorizia Mayor Rodolfo Ziberna, Mondadori Group CEO Antonio Porro, and Audi Italy Director Timm Barlet, along with other representatives from various sectors, gathered to deliver opening speeches for the event.
此次发布会上，设计师吴滨、Michele De Lucchi、Piero Lissoni、马岩松、João Albuquerque、Michele Pasca di Magliano、Chris Cooper、Marco Piva等二十位知名设计师受邀作为开场嘉宾，与主持人Monica Maggioni一同展开了对艺术与设计的深度对话，探讨创意与当代设计的未来。
At the launch event, renowned designers including Wu Bin, Michele De Lucchi, Piero Lissoni, Ma Yansong, João Albuquerque, Michele Pasca di Magliano, Chris Cooper, and Marco Piva, among others, joined moderator Monica Maggioni for an in-depth discussion on art, design, and the future of creativity in contemporary design.
“杳然庭”是一个关于时间、空间、以及在互动中激发想象的装置。矗立于米兰大学Cortile d’Onore中央庭院，吴滨捕捉抽象的东方元素从而在空间中进行表达，呈现不同文化间交融所激发的艺术对话，以一以贯之的设计理念，去创造与传递场所精神，使之成为未来创造力、精神性表达以及东方美学推动的象征。
"Drifting Yǎo" is an installation that explores time, space, and interaction. Located in Milan University’s Cortile d’Onore, Wu Bin blends abstract Eastern elements to create an artistic dialogue between cultures, symbolizing the future of creativity, spiritual expression, and Eastern aesthetics.
“杳”，上为“木”，下为“日”，原指太阳落于树木下，意蕴幽邃而不可测，如光潜入林间，辽远而渺然，却又无所不在。汉语中，“杳然”即悠远无踪，又带有超然物外的静谧之感。装置以木与金属为骨架，一方构筑间，隐含着对自然与人造秩序的交叠。
装置分为“行”与“止”两个概念，二者在空间中相互渗透，在游走与停驻之间形成一种互动性。
“Yǎo” (杳) combines “tree” and “sun,” evoking the image of sunlight fading into the forest—distant, elusive, yet ever-present. In Chinese, yǎorán suggests quiet remoteness and transcendence. The installation composed of wood and metal — explores the intersection of nature and constructed order. it is structured around two interwoven concepts: Movement (行) and Stillness (止) — creating a sensory dialogue between motion and pause.
“行”是线性流动，对应长廊区。一个木质三角构筑体，沉静而神秘。光线自顶部渗入，透过棱镜的折射，留下游移的光影，好似光透入林间。此外，设计加入了可触发的隐藏声音装置，“游”的体验和互动性形成一种独特的趣味和探索性，使时间成为可听可感的流动体。
“止”是静态留白，对应院落区，镜面半圆围合，隐于周遭环境，暗喻初升之“日”。观众可以在此停驻，感受廊道内的声音流动。
Xíng reflects movement in the corridor area—a wooden triangular form where light refracts like sun through trees. Hidden sound elements invite interaction, turning time into a sensory flow.
Zhǐ offers stillness in the courtyard—a mirrored semicircle evoking the rising sun. Visitors pause, immersed in the subtle sounds drifting from the corridor.
长廊区——简洁的木质三角构筑体是一条时间的廊道。游走，是对空间的切割，也是对时间的度量。以深色木材为底，质感沉静而神秘。
In the corridor area, a minimalist wooden triangular structure becomes a corridor of time. Movement slices through space and measures time. Crafted from dark wood, it exudes a quiet, enigmatic presence.
光线并非被肆意地铺陈，而是通过顶部开口，以克制的方式渗入；随着日升日落，透过棱镜的折射，留下流动的光影。时间在此被延展，甚至在某些光影交叠的瞬间被凝止，不断回应东方哲学中“察变”与“观恒”的思想：光影虽瞬息万变，但场域的精神始终如一，始终不言自明。
Light enters with restraint through an overhead slit, refracting into shifting patterns. As time stretches or stills in fleeting overlaps, the space reflects the Eastern philosophy of change and constancy—ephemeral in form, enduring in spirit.
长廊不引导目的，游走本身即是体验。步伐触发隐藏的声音装置，声因步生，耳畔的低鸣似久远的回响。然而，这些声音并不只属于游者自身，而是与场地中的所有人共鸣，与光影的律动和自然的呼吸融为一体，便打破了以“自我”为中心的感知方式——游者成为作品的“创造者”，而院落中的人们则化身为倾听自然的“见证者”。东方所谓“物我两忘”，或即此境。
The corridor area is a journey in itself, with footsteps triggering hidden sounds that echo through the space. These sounds merge with light and nature, dissolving self-centered perception—making the wanderer a co-creator and others witnesses to nature’s voice. This reflects the Eastern ideal of self and surroundings as one.
院落区则是时间的留白，它不再强调行动与序列，而是通过停驻制造感知的裸露。镜面围合的院落，隐于周遭环境，正似初升之日，在朦胧中将边界模糊。木质的温润与金属的冷冽交叠，使空间在质感上保持一种平衡：既沉静又未曾真正安稳。
The courtyard pauses time, shifting from action to stillness. The mirrored enclosure blurs boundaries like the rising sun, while the mix of warm wood and cool metal maintains a balance—serene yet subtly unsettled.
游者被邀请停驻，却不被赋予明确的观看对象或聆听焦点。这种“去功能化”的空间策略，反而放大了微观的感知：光影的微小流变、空气中难以察觉的温差、声场的余音缭绕。静谧便成为最强烈的动态，一如水墨画中未泼之墨反承载最辽阔的空间感。
观者需以心去“听”长廊内的流动、音符节奏的变化、忽高忽低的声音。“隔而不隔，界而未界”，即是对“留白”的当代表达——空白之处孕育无限可能，未说之语最为深远。
Visitors pause without a clear focal point, amplifying subtle perceptions—shifting light, slight temperature changes, and lingering sounds. Silence becomes the most powerful dynamic, like unpainted ink in a shanshui painting, holding vast space.
The viewer "listens" with the heart to the shifting sounds in the corridor area. "Separated yet not separated, defined yet undefined" embodies the concept of "negative space," where emptiness holds infinite possibilities and the unspoken speaks most profoundly.
木质的装置，历经自然的洗礼，在设计的笔触下重获新生，呼应着“地王国际地板”对原生之美的执着探索。声息随步履游移，无定而飘渺，于风的脉动间聚散无形，回响“摩根智能”在技术维度的探微求索。“杳然庭”的真实边界并非只由材质或几何定义，而是被游者的感知轨迹所不断生成与抹除。时间、光影、游走、停驻皆在此被解构与重组，留下的，唯有一种无可言状的杳然之感。
The wood installation, weathered by nature and revived through design, echoes Empire Flooring’s commitment to the raw beauty of natural materials. Sound drifts with each step, transient and ethereal, gathering and dissolving within the breath of the wind, resonating with Moorgen’s meticulous exploration of sonic and technological dimensions. The boundaries of Drifting Yǎo are not solely defined by geometry or matter but are continuously reshaped and erased by the paths of its visitors, leaving only an ineffable sense of drifting—yǎo—a feeling that lingers, subtle and profound.
米兰设计周期间，由无间设计创始人、设计师吴滨发起的“W.DESIGN答谢晚宴”于米兰Giacomo Arengario餐厅内启幕。晚宴选址毗邻米兰大教堂，坐落于二十世纪博物馆之上，承载着设计和创意齐聚米兰的开场。
During Milan Design Week, Wu Bin, founder and designer of W.DESIGN, hosted the “W.DESIGN Appreciation Dinner” at Giacomo Arengario, a refined venue overlooking the Duomo and perched above the Museo del Novecento. The evening marked an elegant opening to a dialogue of creativity and design at the heart of Milan.
从左至右：
Maison&Objet 客户服务负责人 Eric Kardi
巴黎设计周总监、Maison&Objet国际总监 Franck Millot
巴黎设计周中国战略项目代表 Sonia Su
设计师 Glenn Sestig
设计师 吴滨
COLLECTIBLE 设计博览会联合创始人 Liv Vaisberg
设计师 Bernard Tournemenne
鹿特丹设计双年展联合创始人 Sarah Schulten
来自全球的品牌、设计师、艺术家、建筑师以及众多行业创意人士齐聚米兰，聚焦“杳然庭”，共同见证这一米兰城中盛事，共同庆祝东方美学在世界的不断输出与成长，将中国设计推向全球设计浪潮。
Global brands, designers, artists, architects, and creative professionals gathered in Milan to focus on "Drifting Yǎo," witnessing this significant event in the city. Together, they celebrated the continuous global rise of Eastern aesthetics, propelling Chinese design into the global design wave.
从右至左——高明、王超、朱啸尘、范轶、杨迪、孟也、陈耀光、吴滨、刘韬、周宏奕、田鑫、胡兆凯
设计师们齐聚米兰大教堂前
众人围坐在一起，畅谈设计未来
从左至右——设计师：吴滨、马岩松、梁志天；EMPIRE地王地板 杨迪
从左至右——设计师：设计师Glenn Sestig、吴滨
从左至右——设计师：吴滨、马岩松
从左至右——设计师：吴滨、陈耀光、孟也
从左至右——米兰理工大学教授： James Christopher Postell、John Bennett；设计师 吴滨
从左至右——设计师：Glenn Sestig、吴滨；AD安邸中国品牌总监 路遥
从左至右——设计师吴滨、EMPIRE地王地板 杨迪、设计师杨邦胜
从左至右——前巴黎副市长 Lyne Cohen-Solal、巴黎设计周中国战略项目代表 Sonia Su
从左至右——设计师：吴滨、梁志天
左二、左三——设计师：陈林、吴滨
从左至右——设计师：朱啸尘、陈耀光、吴滨、杨邦胜；Interni中国主编Vivian
从左至右——设计师：吴滨、陈林
从左至右——设计师：吴滨、Glenn Sestig
从左至右——设计师吴滨；米兰理工大学教授 James Christopher Postell
从左至右——米兰理工大学教授 Francesco Scullica；设计师 吴滨；米兰理工大学教授 James Christopher Postell
从左至右——米兰理工大学设计学院院长 Francesco Zurlo；设计师 吴滨
从左至右——设计师Bernard Tournemenne；巴黎设计周中国战略项目代表 Sonia Su；设计师：Glenn Sestig、吴滨
Gilda Bojardi自1994年开始担任《INTERNI》杂志总编辑，并负责管理旗下所有刊物。该杂志由Mondadori出版社发行，于1954年创刊，是意大利最早的室内设计杂志。至今，它已成为全球设计、建筑和室内装饰界权威的出版系列。
Gilda Bojardi还是一名策展人，在全球各地策划文化活动和展览。1990年，她创办了试验性质的“FuoriSalone”。该项目后来演变成一年一度的设计周，每年四月在米兰市内呈现超过500项活动。自1998年起，她为《INTERNI》策划每年米兰设计周的展览和活动，探讨国际设计界最热门的话题。同时，展览还收集了世界各地顶尖建筑师和设计师的作品。
来源：火车头美学