摘要：Danny Kaplan工作室与建筑师Peter Martin合作，在曼哈顿开设了旗舰展厅。这个多面空间位于Noho的一座19世纪的铸铁建筑中，它是Kaplan自己的家的两倍，在策展和布局上都采用了一种欢迎家庭的态度。 Kaplan将其构想为一个展示他不断发展

复古与现代交织的美学空间

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Danny Kaplan工作室与建筑师Peter Martin合作，在曼哈顿开设了旗舰展厅。这个多面空间位于Noho的一座19世纪的铸铁建筑中，它是Kaplan自己的家的两倍，在策展和布局上都采用了一种欢迎家庭的态度。 Kaplan将其构想为一个展示他不断发展的家具和照明系列的地方，与其他艺术家和设计师的作品以及零散的复古物品一起。

Danny Kaplan Studio has opened its flagship showroom in Manhattan, designed in collaboration with architect Peter Martin.Located in a 19th-century cast-iron building in Noho, the multifaceted space – which doubles as Kaplan’s own home – adopts a welcoming domestic attitude in both its curation and layout. Conceived by Kaplan as a place to present his evolving collection of furniture and lighting, alongside the work of fellow artists and designers and a scattering of vintage items.

“我们已经能够创造一个环境，感觉它超越了陶瓷作品，代表了我们。”“很长一段时间以来，我一直有这些想法，但没有地方让它们居住，所以这就是这个空间的乐趣所在，”他说，他为自己的手工陶瓷作品、穿孔金属烛台和手工地毯找到了一个家。

“We’ve been able to create an environment that feels like it represents us beyond ceramic work.”“For a long time, I’ve had all these ideas but nowhere for them to live, so that’s what’s fun about this space,” he says of finding a home for his handcrafted ceramic pieces, perforated metal sconces and artisan rugs.

开放式厨房、餐厅和起居区是这个项目真正体现多样性的地方。白天，这里是客户会议和团队聚会的地方，到了晚上，这里就变成了一个灯光昏暗的地方，可以举办鸡尾酒会和亲密晚宴。它的中心是一张Danny Kaplan Studio的餐桌，餐桌的顶部是陶瓷镶边，周围是复古的椅子和不断发展的墙壁艺术。灯、壁灯和吊坠代替了刺眼的筒灯照亮了房间，豪华的羊毛地毯——大部分来自Armadillo，除了卡普兰自己的一个系列，将于5月推出——为工业建筑框架带来质感和温暖。

The open-plan kitchen, dining and living area is where the multiplicity of this project truly sings. By day, it’s a space for client meetings and team catch-ups, and by night, it transforms into a dimly lit enclave for cocktail parties and intimate dinners. At its centre is a Danny Kaplan Studio dining table with a tactile, ceramic rimmed top, surrounded by vintage chairs and an evolving roster of wall art. Lamps, sconces and pendants illuminate the rooms in lieu of harsh downlights, and luxurious wool rugs – most from Armadillo bar one from Kaplan’s own collection, set to launch in May – bring texture and warmth to the industrial architectural framework.

到达展厅，客人走下电梯，进入由两块玻璃砖隔墙组成的入口前厅。左边是一间卧室，紧挨着朝西的窗户——多亏了百叶窗，光线柔和而分散——内置的书架上摆满了书籍、古玩和许多卡普兰的私人物品。

Arriving at the showroom, guests step off the elevator and into an entry vestibule framed by two glass brick partition walls. To the left, there’s a bedroom vignette adjacent to west-facing windows – the light soft and diffused thanks to Venetian blinds – and built-in shelves are lined with books, curios and many of Kaplan’s personal objects.

一个更典型的画廊条件—确切的策展将定期轮换—看到工作室的台灯系列和托马斯·巴格的家具一起展出。空间的设计是为了观察和互动，与朋友和同时代人合作构思的作品，包括Lesser Miracle和in Common with，都是这样的风格。

To the right, a more typical gallery condition – the exact curation of which will rotate periodically – sees a collection of the studio’s table lamps displayed alongside furniture by Thomas Barger. The space is designed to be observed and interacted with, and pieces conceived in collaboration with friends and contemporaries, including Lesser Miracle and In Common With, are styled as such.

整层公寓包含一系列松散定义的房间，让人想起典型的纽约阁楼，卡普兰的私人住宅在后面，隐藏在双门后面。设计师说：“我一直在寻找一个既可以作为展厅又可以作为住宅的空间，由于分区的原因，这些空间在纽约非常罕见。”“这个地方就像是我们的囊中之物，它从公共到私人的转变非常有效。”

The whole-floor apartment encompasses a series of loosely defined rooms redolent of a typical New York loft, with Kaplan’s private residence at the rear, concealed behind double doors. “I was looking for a space that could function as both a showroom and residence, and those spaces are quite rare in New York because of zoning,” says the designer. “This place kind of fell into our laps, and the way it moves from public to private works really well.”

“能够创造出吸引人们的东西，这是一件很好的事情，感觉上与你对展厅的期望不同。”

“It’s a nice thing to be able to create something that’s inviting for people and that feels different to what you might expect from a showroom.”

这个展厅并不是唯一一个拥抱住宅和酒店为中心的理想；你只需要在曼哈顿市中心漫步，就能找到几家拥有类似理念的公司，对卡普兰来说，这是一件好事。“从历史上看，这个社区有很多古董家具店藏在这些建筑里，有一段时间逐渐减少，尤其是随着东西转移到网上。但现在似乎有了复苏的迹象，能成为展厅复兴的一部分感觉很好。现在去纽约购物是一个激动人心的时刻。”

来源：星期八室内设计