摘要：虎画在中国画史上是一个历史悠久，又具有丰富象征寓意的题材。它的风格及象征寓意都随着各时代的政治，社会背景而孕育发展，并且逐渐形成了一个充满时代信息的历史语言。但在数百年后的今天，这些虎画语言中所包涵的寓意和信息，已经逐渐被遗忘或丧失。讲座将追溯虎画在题材和画风

以下文章来源于杭师大人文学院，特此致谢。

主讲人： 宋后楣 博 士

主持人： 彭慧萍 教 授

时 间： 2025年3月29日

（周六）上午8:00

地 点： 腾讯会议740-253-277

虎画在中国画史上是一个历史悠久，又具有丰富象征寓意的题材。它的风格及象征寓意都随着各时代的政治，社会背景而孕育发展，并且逐渐形成了一个充满时代信息的历史语言。但在数百年后的今天，这些虎画语言中所包涵的寓意和信息，已经逐渐被遗忘或丧失。讲座将追溯虎画在题材和画风上的发展和演变，并且对虎画中的历代象征寓意作解读和重建。讨论会集中在下列几个主题：

· 虎在中国的文化定义与描写

· 宋代虎画经典样式的建立

· 元代画虎的政治化

· 明代虎画象征语言的解读

主讲人简介

宋后楣

Hou-mei Sung has served as the curator of East Asian Art at the Cincinnati Art Museum since 2002. Prior to coming to Cincinnati, Dr. Sung served a variety of research and teaching positions in museums and academic fields in Asia and throughout the United States, including the National Palace Museum in Taipei, Taiwan; Cleveland State University; and Case Western Reserve University. She has organized over ten special exhibitions and catalogues, including From Shanghai to Ohio, Terracotta Army, Roaring Tiger Leaping Carp, Galloping through Dynasties,andJapanese Masterpieces at CAM.

主持人简介

彭慧萍

Huiping Pang (Ph.Ds., Stanford University; Central Academy of Fine Arts in Beijing) is a Professor of Chinese History at Hangzhou Normal University. She has taught at Stanford University, Lingnan University in Hong Kong, and the University of Iowa, and was a Curator of Chinese Art at the Hong Kong Palace Museum. She has received the Smithsonian Institution Postdoctoral Fellowship, two Andrew W. Mellon Fellowships, and Zhejiang Provincial Overseas Scholars Award. Her publications include Southern Song Painting Academy: Its Organization and Post-1279 Historiographical Reconstruction (Beijing University Press, 2018) and two forthcoming monographs, with articles in AHCI and CSSCI-indexed journals (e.g.Artibus Asiae, Journal of Song-Yuan Studies, Journal of the American Oriental Society, Cultural Relics, and Palace Museum Journal). Her research encompasses Chinese institutional history, imperial art collecting culture from the 9th to 17th centuries, Liao-Jin equine paintings, and technical and ecological art history.

来源：宋史研究资讯