摘要：骋妍CY以「波儿乐」(Bo'er Le)为核心创作IP，构建了一个充满浪漫能量的艺术宇宙她的作品以极具辨识度的梦幻色彩和奔放笔触为语言，在画布上演绎着关于自由与灵性的视觉诗篇。马作为「波儿乐」世界的重要载体，既延续了中国传统文化中的祥瑞象征，又被赋予当代性的精
/ ABOUT /
2025年6月14日（周六）- 6月30日（周一）
VIP开幕：2025年6月14日（周六）
14:00 - 17:00
June 14 (Saturday) - June 30 (Monday), 2025
VIP Opening: Saturday, June 14, 2–5 p.m.
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@索美M50画廊
@Suomei M50 Gallery
上海市普陀区莫干山路50号4号楼105室
Room 105, Building 4, No. 50 Moganshan Road
Putuo District, Shanghai
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艺术家 / 骋妍CY
策展人 / 黄又宇
Artist / CY
Curator / Youyu HUANG
/ ARTIST /
◼︎ 骋妍CY ◼︎
中国青年艺术家
1994年出生于上海
2013年毕业于上海视觉艺术学院油画系
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骋妍CY以「波儿乐」(Bo'er Le)为核心创作IP，构建了一个充满浪漫能量的艺术宇宙她的作品以极具辨识度的梦幻色彩和奔放笔触为语言，在画布上演绎着关于自由与灵性的视觉诗篇。马作为「波儿乐」世界的重要载体，既延续了中国传统文化中的祥瑞象征，又被赋予当代性的精神解读--那些闪耀着精灵般光芒的骏马，实则是艺术家内心世界的投射，传递着对生命热力的礼赞。 在艺术理念上，她深受《乐记》「成于乐」的启发，将高饱和度色彩转化为传递「宇宙能量波」的媒介。每一幅作品都是「波儿乐」能量的具象化呈现，通过色彩间的挤压、碰撞与融合，形成独特的视觉振动频率·这种创作不仅是对艺术本体的探索，更构建了一个连接创作者与观者的能量场域。「愿每个'波儿乐'都能遇见它的伯乐」--这句创作箴言，既是对知音相遇的期许，也暗喻着艺术作为精神载体的永恒价值。
她现活跃于多领域，作为小马宝莉官方合作艺术家、漫威卡牌系列合作艺术家、汤显祖戏剧交流月大使、五星体育官方合作艺术家（文化润疆）、保时捷官方合作艺术家等多重身份为人熟知。
Artist, Painter from China
Born in 1994 in Shanghai
Graduated from the Oil Painting Department of
Shanghai Institute of Visual Arts in 2013
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CY has developed "Bo'er Le" as her signature artistic lP, creating a romantic universe charged with vibrant energy. Her distinctive visual language combines ethereal cololpalettes with expressive brushwork, weaving visual poetry about freedom and spirituality. The horse motif, as a key vehicle of the "Bo'er Le" world, not only continues the auspicious symbolism in Chinese tradition but also receives a contemporary spiritual interpretation-those steeds glowing with ethereal radiance are in fact projections of the artist's inner world, celebrating the vitality of life. Grounding her practice in the Confucian concept of "self-cultivation through art" from Yue Ji, CY transforms high-saturation colors intomediums for transmitting "cosmic energy waves." Each artwork materializes the essenceof "Bo'er Le" energy, generating unique visual vibrations through chromatic tension anaharmony. This creative approach not only explores artistic ontology but also constructsan energetic feld connecting creators and viewers. "May every 'Bo'er Le' fnd its destined appreciator"-this artistic credo expresses both the hope for meaningful encounters anathe eternal value ofart as a spiritual vessel.
She is currently active in multiple fields and is well-known for her various roles, including being an official collaborating artist for My Little Pony, a collaborating artist for the Marvel card series, an ambassador for the Tang Xianzu Drama Exchange Month, an official collaborating artist for Five Star Sports (Cultural Enrichment of Xinjiang), and an official collaborating artist for Porsche.
△「埃及女王：光华 / Cleopartra: Glorious Time」
120 × 120cm / 布面丙烯 Acrylic on Canvas
2025
◼︎ 波儿乐的加冕仪式 ◼︎
骋妍的画笔从不驯服于规训。在她的「波儿乐」宇宙里，色彩是爆发的能量波，马匹是自由的量子态，而女性——那些头戴冠冕或荆棘的公主与女王——则是穿越维度的叙事者。此次展览并非对「女性力量」的简单讴歌，而是一场用颜料解构符号的视觉起义。
当高饱和度的玫红与钴蓝在画布上相互挤压，当马匹的鬃毛融化成液态的星光，我们看到的不是被浪漫化的脆弱美学，而是色彩暴动中诞生的新神话体系。骋妍将「波儿乐」塑造成一位手持调色盘的女祭司：她可以是尼罗河畔以眼影为权杖的克利奥帕特拉，可以是挣脱束腰、策马驰骋的茜茜公主，也可以是身披彩虹勋章、凝视未来的伊丽莎白二世。那些看似梦幻的粉紫色调下，隐藏着颜料刀刮出的锋利痕迹——正如历史中每位女王并存的光辉与裂痕。
「Queen Me」源自国际象棋术语，当卒子抵达底线时获得的升变权利。展览中的每一幅作品都是这场仪式的见证：埃及艳后的金蛇头饰在丙烯中熔解重组，茜茜公主的裙摆化作流动的星云，英女王的柯基犬与赛马在色块中完成超现实对话。骋妍用炽热的笔触提醒我们：真正的加冕从来不需要王座，只需要在色彩维度中无限展开的自由意志。
此刻，请放任视网膜接收这些跳跃的宇宙能量波。当波儿乐世界的克利奥帕特拉手持调色盘而非毒蛇，当茜茜公主的马鞍变成彩虹桥梁，当白金汉宫的阳台被重构为色域剧场——你会发现，所谓权力与浪漫，不过是同一光谱的两极折射。
骋妍的创作暗号始终清晰：
「愿每个波儿乐都成为自己的伯乐」
但在此次展览中，这句话或许该被重写为——
「每个波儿乐，都已是自己的女王」
△「埃及女王：蛇舞 / Cleopartra: Femme Fatale」
100 × 100cm / 布面丙烯 Acrylic on Canvas
2025
◼︎ The Coronation of Bo’erle ◼︎
CY’s brush never submits to convention. In her "Bo’erle" universe, colors are explosive energy waves, horses are quantum states of freedom, and women—those crowned princesses and queens adorned with diadems or thorns—are narrators traversing dimensions. This exhibition is not a simplistic ode to "female power," but rather a visual uprising that deconstructs symbols through pigment.
When high-saturation magentas and cobalts collide on canvas, when horses’ manes dissolve into liquid starlight, what we witness is not a romanticized fragile aesthetic, but a new mythological system born from chromatic rebellion. CY shapes "Bo’erle" into a high priestess wielding a palette: she could be Cleopatra commanding the Nile with kohl-rimmed eyes, Empress Sisi galloping free from corseted constraints, or Elizabeth II cloaked in rainbow regalia, gazing into the future. Beneath the seemingly dreamlike pastel hues lie the sharp, knife-carved textures—just as every queen in history balances radiance and fracture.
"Queen Me" derives from the chess term *queening*, where a pawn reaching the board’s edge claims its right to transform. Each artwork here bears witness to this rite: Cleopatra’s golden serpent crown melts into acrylic abstraction, Sisi’s crinoline billows into interstellar nebulae, and the Queen’s corgis race surreal steeds across color fields. Chengyan’s almost violent strokes remind us: true coronation requires no throne, only the free will to expand infinitely across chromatic dimensions.
Now, let your retina absorb these leaping cosmic waves. As Bo’erle’s Cleopatra wields a palette instead of an asp, as Sisi’s saddle arcs into a prismatic bridge, as Buckingham’s balcony recomposes into a theater of hues—you’ll realize that power and romance are but two refractions of the same spectrum.
CY’s creative cipher remains clear:
"May every Bo’erle find their *Bole* (discerning eye)."
Yet for this exhibition, it might be rewritten—
"Every Bo’erle is already sovereign."
△「茜茜公主：星曜 / Sisi: Glare of the Stars」
100 × 100cm / 布面丙烯 Acrylic on Canvas
2025
来源：人民艺术