【艺博·对话】预告 | 未来的电影 & 电影的未来——中瑞电影对话

摘要：本次活动为中英双语，同声传译。活动面向当天馆内观众开放，无需预约。请于14:20前，从展馆四层西北角进入报告厅（14:00开放入厅）。

未来的电影 & 电影的未来

——中瑞电影对话

活动时间

2025年4月23日（星期三）

14:30-16:30

艺术总监

邓岩

清华大学艺术博物馆副馆长

项目执行负责人

张明

清华大学艺术博物馆公共教育部副主任

策划/主持

王瑛

清华大学艺术博物馆国际项目与外事主管

活动地点

清华大学艺术博物馆四层报告厅

对话嘉宾

安娜伊思·埃梅里（Anaïs Emery）

日内瓦国际电影节及数字市场（GIFF）总经理兼艺术总监

西里尔·舒布林（Cyril Schäublin）

导演、2025年北京国际电影节注目未来单元国际评审

贝特朗·巴凯（Bertrand Bacqué）

日内瓦艺术与设计大学（HES-SO）电影专业副教授

吴冠平

《北京电影学院学报》主编

梁君健

清华大学新闻与传播学院副教授

车琳

中国传媒大学戏剧影视学院副教授、策展人

活动主办

清华大学艺术博物馆公共教育部

活动协办

清华大学影视传播研究中心

北京电影学院学报

中国传媒大学未来影像研究中心

入场说明

1. 本次活动为中英双语，同声传译。活动面向当天馆内观众开放，无需预约。请于14:20前，从展馆四层西北角进入报告厅（14:00开放入厅）。

2. 本馆实行全面禁烟和实名进馆，请您携带身份证、清华校园卡等有效证件，遵守场馆各项管理规定，听从场馆工作人员安排，请勿占座，感谢您的理解与配合。

对话主题

本次对话活动聚焦电影的未来发展与教育变革，邀请来自中瑞两国的导演、学者、策展人，共同探讨影像语言的演变、数字技术的介入及跨文化传播的新路径。通过多元视角的交流，深入思考电影在媒介融合与全球语境下的可能性与边界。

议程安排

14:30-14:40活动介绍

14:40-15:40主旨发言

15:40-16:10嘉宾对话

16:10-16:30观众提问

对话主持

王瑛

清华大学艺术博物馆国际项目与外事主管

对话嘉宾

自 2021 年起，安娜伊思担任日内瓦国际电影节及数字市场（GIFF）总经理兼艺术总监。此前，她曾担任法国南特 Utopiales 国际科幻电影节总监及独立艺术影院的策划人。曾担任瑞士纳沙泰尔国际奇幻电影节（NIFFF）的联合创始人，并于 2006 年至 2020 年间担任该电影节的艺术总监，助其发展成为享誉国际的电影盛典。安娜伊思在2017年完成洛桑大学（UNIL）电影史与美学研究和数字传播与网络技术高等学习文凭（DAS）。她致力于支持瑞士新一代电影创作人才，并发起了与欧洲核子研究中心（CERN）合作的“未来故事世界”工作坊（FutureStoryWorlds@CERN）。此外，安娜伊思还是瑞士电影学院及数字创作基金会的成员。

西里尔·舒布林于1984 年生于苏黎世，曾在北京和柏林攻读电影专业。他的作品先后亮相柏林国际电影节、洛迦诺电影节、多伦多电影节、圣塞巴斯蒂安电影节、维也纳电影节、鹿特丹电影节及纽约电影节等各大影展，并斩获多项奖项。此外，他的作品还在巴黎蓬皮杜艺术中心、苏黎世美术馆及纽约现代艺术博物馆等机构展出。

他的作品《摆动》在 2022 年度北京国际电影节上获得最佳艺术贡献奖。今年，舒布林受电影节邀请担任注目未来单元国际评审。

贝特朗·巴凯（Bertrand Bacqué）

文学博士，现任日内瓦艺术与设计大学（HES-SO）电影专业副教授。他在学术活动方面颇具影响力，曾于 2011 年策划电影大师克利斯·马克（Chris Marker）作品研讨会——“猫窝”（Dans l'antre du chat），并在日内瓦大学艺术学院（HEAD）发起动态蒙太奇艺术论坛（Editing Arts! Montage en mouvement）。这位深耕影像领域的学者，曾连续十五年参与瑞士尼翁真实电影节（Visions du Réel）的策展工作，其撰写的影评亦登载多家报刊及电影专业杂志。

在学术著作领域，巴凯教授于 2015 年担任《严肃游戏：当代艺术与电影重塑论文影像》一书的联合主编。该书深入探讨了实验影像的跨界实践。2018 年，由他参与编纂的《蒙太奇：1913-2018 年文选》由日内瓦大学艺术学院与日内瓦当代艺术博物馆（MAMCO）联合出版。这本书系统梳理了百年蒙太奇理论的发展脉络。他目前的研究工作主要聚焦于让-吕克·戈达尔（Jean-Luc Godard）的论文、蒙太奇语言、系列片及当代作品。

吴冠平

教授，博士生导师，《北京电影学院学报》主编。曾任北京电影学院电影学系主任（2012～2018），北京电影学院中国电影文化研究院院长（2018~2024），《电影艺术》杂志社社长、主编（2006～2013）。华语青年电影周（CYGFF）创办人，中国电影家协会会员，中国电影评论学会常务理事，中国台港电影研究会副会长，中国高校影视学会理事，北京电影家协会理事等。曾担任第12、14、17、19届华语电影传媒大奖终评委；第18届、19届中国电影华表奖评委；第36届中国电影金鸡奖评委；第51届金马奖初评委、第55届金马奖终评委等。发表理论评论文章八十余万字，著作有《坐看云起等风来——2003～2014中国电影述评》（人民东方出版社2015）、《陆上行舟——新世纪中国导演访谈录》（人民东方出版社2015）、《艺术电影手册》（北京出版社 2015 年），《20 世纪的电影》（三联书店 2002 年）等。参与策划监制的电影有《树上有个好地方》（2020）、《完美新娘》(2009)、《欠我十万零五千》(2009)、《租期》(2005)、《卡拉是条狗》(2003)等。

梁君健

清华大学新闻与传播学院副教授、博士生导师，美国南卡罗来纳大学人类学系访问学者。长期致力于影视传播、影视人类学、媒介与社会等领域的研究，关注身份认同、媒介技术、视觉文化等议题。梁君健曾执导《风起前的蒲公英》《喜马拉雅天梯》《我在故宫六百年》等纪录片，展现出视觉人类学和观察式拍摄的创作取向。此外，他投身影视实践教学多年，是首批国家级一流本科课程《新闻摄影》和《影视制作入门》的负责人。

车琳（特邀对话主持）

研究者，策展人。北京大学艺术学博士，现任中国传媒大学戏剧影视学院副教授，致力于新媒体教学与创作、电影节研究和XR类策展实践。策划北影节、上影节、福州丝路电影节等国内国际重要电影节的VR/XR单元。

【TAM Global Art Dialogues】

The Future of Film

– A Dialogue Between China and Switzerland

Event Date

Wednesday, April 23, 2025

14:30-16:30

Chief Artistic Director

Deng Yan

Deputy Director of Tsinghua University Art Museum

Event Coordination Lead

Zhang Ming

Deputy Head of Department of Public Education, Tsinghua University Art Museum

Event Curator/Moderator

Wang Ying

Manager of International Programs and External Affairs, Tsinghua University Art Museum

Event Venue

Multifunctional Room, 4th Floor, Tsinghua University Art Museum

Guest Speakers

Anaïs Emery

General and Artistic Director of the Geneva International Film Festival

Cyril Schäublin

Film Director, Jury Member for Forward Future Section at 2025 BJIFF

Bertrand Bacqué

Associate Professor of cinema, Geneva University of Art and Design (HES-SO)

Wu Guanping

Editor-in-Chief of the Journal of Beijing Film Academy

Liang Junjian

Associate Professor of School of Journalism and Communication, Tsinghua University

Che Lin

Associate Professor at Communication University of China, Curator

Organizer

Tsinghua University Art Museum

Co-organizers

Research Center for Audiovisual Communication, Tsinghua University

Journal of Beijing Film Academy

Future Imaging Research Center, Communication University of China

Admission Information

1. This event will be conducted in both Chinese and English, with simultaneous interpretation provided. The event is free-admission and no reservation is required for Tsinghua students and staffs. Public visitors are required to purchase tickets. Please enter the auditorium from the northwest corner of the 4th floor before 14:20 PM(Auditorium doors open at 14:00).

2. The museum enforces a strict no-smokingpolicy and requiresreal-name registrationfor entry. Please bring a valid ID and follow all museum rules and staff guidance. Thank you for your understanding and cooperation.

Event Theme

This event explores the future development of cinema and changes in film education. Filmmakers, curators, and scholars from China and Switzerland will discuss the evolution of cinematic language, the role of digital technologies, and new avenues for cross-cultural communication. The dialogue aims to offer diverse perspectives on the possibilities and boundaries of cinema in the context of media convergence and global discourse.

Event Agenda

14:30–14:40 Opening Remarks

14:40–15:40 Keynote Speeches

15:40–16:10 Panel Discussion

16:10–16:30 Audience Q&A

Event Moderator

Wang Ying

Manager of International Programs and External Affairs, Tsinghua University Art Museum.

Introduction of Speakers

Anaïs Emery

Anaïs has been the General and Artistic Director of the Geneva International Film Festival and Digital Market since 2021. Previously, she was the director of Utopiales in Nantes, France, and a programmer for an independent cinema. She co-founded the Neuchâtel International Fantastic Film Festival and served as its artistic director from 2006 to 2020, leading the festival to international recognition. In 2017, Anaïs completed a DAS in digital communication and web expertise, in addition to her studies in film history and aesthetics at UNIL. Committed to supporting the next generation of Swiss cinema, she launched the FutureStoryWorlds@CERN workshop. In addition to her other involvements, Anaïs is a member of both the Swiss Film Academy and the Foundation for Digital Creation.

Cyril Schäublin

Cyril Schäublin (*1984 in Zurich) studied cinema in Beijing and Berlin. His films were screened at the Berlinale, Locarno, Toronto, San Sebastián, Viennale, Rotterdam, or at the New York Film Festival, and received a number of awards. His works were also presented at the Centre Pompidou in Paris, at the Kunsthaus Zürich, or at the Museum of Modern Art in New York. His work UNREST was awarded as the Best Artistic Contribution at Beijing International Film Festival (BJIFF) in 2022. This year, Schäublin is invited as Jury member for Forward Future Section at BJIFF.

Bertrand Bacqué

Bertrand Bacqué holds a doctorate in literature and is an associate professor of cinema at the Geneva University of Art and Design (HES-SO). He has organized a number of conferences, including "Dans l'antre du chat" in 2011, which was devoted to the work of Chris Marker, and "Editing Arts! Montage en mouvement" at the HEAD - Geneva. For fifteen years, he was involved in the programming of Visions du Réel, the international documentary film festival.

He has also worked as a film critic for various newspapers and specialist magazines. In 2015, he co-edited the book "Jeux sérieux, cinéma et art contemporains transforment l'essai". And in 2018, "Montage. Une anthologie (1913-2018)" was published by HEAD and MAMCO. His current research focuses on the essay, montage, series, and the contemporary work of Jean-Luc Godard.

Wu Guanping

Wu Guanping is a professor, Ph.D. supervisor, and Editor-in-Chief of the Journal of Beijing Film Academy. He previously served as Head of the Department of Film Studies at Beijing Film Academy (2012–2018), and Director of the Institute of Chinese Film Culture (2018–2024). From 2006 to 2013, he was President and Editor-in-Chief of Film Art, one of China’s leading film journals. He is the founder of the Chinese Youth Generation Film Forum (CYGFF) and holds memberships in several key professional organizations, including the China Film Association, the China Film Critics Society (Executive Council Member), the Chinese Association of Film Studies for Taiwan and Hong Kong Cinema (Vice President), the University Film and Television Association of China, and the Beijing Film Association. He has served on numerous major film award juries, including as a final jury member for the 12th, 14th, 17th, and 19th Chinese Film Media Awards, jury member for the 18th and 19th Huabiao Film Awards, jury member for the 36th Golden Rooster Awards, and both preliminary and final jury member for the 51st and 55th Golden Horse Awards. Professor Wu has published over 800,000 words in film theory and criticism, with key works including Watching the Clouds Rise, Waiting for the Wind – A Commentary on Chinese Cinema (2003–2014), Voyage on Land – Interviews with Chinese Directors in the New Century (both published by Oriental Publishing House in 2015), Handbook of Art Film (Beijing Publishing House, 2015), and Cinema of the 20th Century (SDX Joint Publishing Company, 2002). He has also participated in the planning and production of several notable films, including A Place on the Tree (2020), Perfect Bride (2009), Owe Me 100,500 (2009), Rental Period (2005), and Cala, My Dog! (2003).

Liang Junjian

Liang Junjian earned his B.A. (2004) and Ph.D. (2012) at Tsinghua University. As an associate professor of School of Journalism and Communication in Tsinghua University, he teaches courses such as TV and film shooting & editing and Photojournalism. His researches focus on photography, documentary and feature film. As a filmmaker, Liang has made several documentary films. Beijing 2008 (2009, 90min, photographer) is about an entrepreneur’s struggle during Olympic year and was nominated and screened in IDFA 2010. Play in the Dark (2009, 101min, director), based on 1-year fieldwork in Guanzhong Area of China, discussed the social change in modern China through interaction between shadow puppetry and rural areas. A Piece of Xuan Paper (2013, 96min, director), based on fieldwork in Southern China between 2010 and 2012, represented current Chinese craftsmen and their experience since 1949. His latest documentary film, Ladder to Paradise (2015, 88min, co-director), is released in Oct. 16th 2015 all over China. This film won the most popular documentary award of 2015 Guangzhou International Documentary Film Festival, China, and was nominated at the 31st China Film Festival Golden Rooster Award for best documentary.

Che Lin

Che Lin is a scholar and curator focusing on immersive media and multi-reality world exploration. She has been the curator of Sandbox Immersive Festival（2018-2019）,the curator of Beijing International Film Festival for Immersive Section（since 2018），and Shanghai International Film Festival (SIFF XR since 2023). Beside film festivals, she has worked with galleries and art spaces, such as Serpentine Gallery Summer Pavilion in Beijing, Goethe Institute in Beijing, WWF, to curate exhibitions and events featuring XR technology and content. She has been a frequent participant in the international film festivals, such as Sundance, Berlinale, SXSW, Cannes, Venice Film Festival etc, generating multiple contributions to academic journals on film festivals strategy and new media studies. She is now an associate professor at Communication University of China on XR related courses. Her research centers around film festival studies and new media studies such as VR/AR/MR.

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开馆时间

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每周二至周日9:00-17:00（16:30停止入馆）

逢周一闭馆

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