手嶋保 · 克制中见诗意，留白处藏生机

摘要：坐落于名古屋市区内，仍保留着些许昭和时代氛围的区域——“吹上之屋”，出自手嶋保之手。此处原本是长屋所在地，后来经过分割改造。这条街道沿线的房屋，都设有前庭，并且都采用了退台式设计。这座住宅也不例外，在玄关前打造了庭院，同时做了退台处理。

设计是营造一个地方

以丰富人们的心灵的行为

坐落于名古屋市区内，仍保留着些许昭和时代氛围的区域——“吹上之屋”，出自手嶋保之手。此处原本是长屋所在地，后来经过分割改造。这条街道沿线的房屋，都设有前庭，并且都采用了退台式设计。这座住宅也不例外，在玄关前打造了庭院，同时做了退台处理。

走进屋内，能感受到巧妙利用错层设计营造出的“连贯感”。接下来，让我们深入了解这座住宅。

Nestled within the urban district of Nagoya, amidst an area that still retains a faint trace of the Showa era's ambiance, stands "Fukikaze no Ie," crafted by the hands of Teshima Yasushi. Originally the site of a row house, it has since undergone division and renovation. The houses along this street all feature front gardens and are designed with a setback style. This residence is no exception, boasting a garden in front of the entrance and a setback design.

Stepping inside, one can sense the "sense of continuity" ingeniously created by the split-level design. Now, let's delve deeper into this residence.

一楼下沉式设计

Split-Level Design on the First Floor

从住宅外观来看，外墙上中途出现了不同风格的衔接处。乍一看，会以为是一楼和二楼的分界，但实际上，一楼部分向下挖掘了约 750 毫米，形成了一个半地下室，用于设置卧室和杂物间。一楼的外墙在中间楼层位置进行了更换，该中间楼层采用钢筋混凝土结构，其上部则是木结构框架。

From the exterior of the residence, there appears to be a change in the exterior wall style midway up. At first glance, it might seem like the boundary between the first and second floors. However, in reality, the first-floor portion has been excavated downward by approximately 750 millimeters, creating a semi-basement space. This area is used for a bedroom and a storage room. The exterior wall at the intermediate floor level has been replaced, and this intermediate floor is constructed with a reinforced concrete structure, while the upper part features a wooden frame structure.

中间楼层设有客厅和餐厅，二楼则规划为儿童房。光线从挑空区域倾洒而下，让室内明亮通透。

The intermediate floor houses the living room and dining room, while the second floor is designated as the children's bedrooms. Light pours down from the open-plan area, illuminating the interior and making it bright and airy.

错层设计连通空间

Split-Level Design Connecting Spaces

这栋住宅的主人是一家四口，包括一对夫妻和两个上小学的孩子。男主人作为设计师在家办公，因此这座住宅也兼具工作室的功能。既需要一处能让人专注工作的空间，同时也十分重要能让家庭成员之间相互感知彼此的存在。

此次设计中，整栋住宅都采用了错层设计。从半地下室的卧室和杂物间向上，依次连接着餐厅、厨房和客厅，再通往二楼的儿童房，空调系统也沿着这一连贯的空间布局进行设置。中央位置设有一部楼梯，贯穿所有楼层。这样的设计既保证了空间的合理性，又能让家庭成员之间感受到彼此的气息，堪称一座在精神层面紧密相连的住宅。

The family residing in this residence consists of four members: a couple and two elementary school-aged children. The husband, who is a designer, works from home. Therefore, this residence also serves the function of a studio. It is essential to have a space where one can concentrate on work, but at the same time, it is equally important for family members to be able to sense each other's presence.

In this design, the entire residence adopts a split-level design. Starting from the bedroom and storage room in the semi-basement, it is sequentially connected to the dining room, kitchen, and living room, and then leads to the children's bedrooms on the second floor. The air conditioning system is also arranged along this continuous spatial layout. A staircase is centrally located, running through all the floors. This design not only ensures the rationality of the space but also allows family members to feel each other's presence, making it a residence that is closely connected on a spiritual level.

引光扩散的拱形天花板

Vaulted Ceiling that Lets in and Diffuses Light

屋顶采用的是此前开发的混合桁架结构的改良升级版。在建造过程中，对方提出能否仅用木材来实现框架结构。经过探讨，最终决定在受拉部位不使用钢材，而是采用弯曲的杉木板材。同时，在杉木板材与屋梁之间嵌入结构用合板，以此传递剪力。

这种结构虽然会使上弦材产生一定的弯曲，但具有连接节点施工简便的优势。通过利用悬山式屋顶的天花板空间，实现了合理的框架结构。天花板设计能让柔和的光线在室内流转，将整个房间照得通透明亮。弯曲的天花板为整座住宅增添了一份柔和的氛围。

The roof adopts an upgraded version of the hybrid truss structure previously developed. During the construction process, the client inquired whether it was possible to construct the frame structure solely using wood. After discussion, it was ultimately decided to use curved cedar boards instead of steel in the tension areas. At the same time, structural plywood is inserted between the cedar boards and the roof beams to transfer shear forces.

Although this structure causes a certain degree of bending in the upper chord members, it has the advantage of simplifying the construction of connection nodes. By utilizing the ceiling space of the gable roof, a rational frame structure has been achieved. The ceiling design allows soft light to circulate indoors, brightly illuminating the entire room. The curved ceiling adds a touch of softness to the entire residence.

室内色调沉稳雅致

Interior with a Calm and Elegant Color Scheme

室内以白色和深棕色为主色调，营造出沉稳宁静的氛围。扶手和楼梯采用了圆形铜材，不仅起到了安全防护的作用，还成为空间设计中的点睛之笔，提升了整体的精致感。

The interior is mainly decorated in white and deep brown, creating a calm and serene atmosphere. The handrails and staircase are made of round copper materials, which not only serve as safety protection but also act as the finishing touch in the space design, enhancing the overall sense of refinement.

促进家人情感交流的住宅

A Residence that Promotes Family Emotional Communication

客厅南侧设有大窗户，可将庭院的绿意尽收眼底。窗户下部的突出部分还能引入光线和清风。这座能让家人之间关系更加融洽的住宅，或许能为我们探寻理想家园提供一些灵感。

On the south side of the living room, there is a large window that offers a panoramic view of the greenery in the garden. The protruding part at the bottom of the window can also introduce natural light and a gentle breeze. This residence, which helps to strengthen family relationships, may provide some inspiration for us in our pursuit of an ideal home.

造成内部多样性和外部绿地联系的跳楼住所，流经东京西部的玉川上水是17世纪当时的幕府为了向江户市内送水而修建的。这条人工水道的绿地，直到现代都是连绵不断的保护和培育，为厂区周边提供了后山清流般的舒适环境。这个玉川上水是流经用地北侧的住宅项目。

dwellings with skipped floors that bring internal diversity and connection to the green space outside，tamagawa-jo sui was built by the shogunate in the 17th century to transport water to the center of the city.the greenery area along the canal hanal HD bed bed protected through generations till now.it gives a pleasant environment with a clear stream to the surrounding area.this project is to design a ha where this tamagawa jo sui flows to the north side of the site

在规划中，我们考虑通过向北侧的道路和对面玉川上水的绿地开辟居住空间，建立联系，享受这一优越的环境。

In planning the house，the idea was to open up the living space connecting to this northern side of the house to enjoy the greenery beyond。

将前院整理成与水边丰富的景观并排，以此作为与住宅的缓冲。从路面上升70厘米左右，由于将原来的用地高度设定为1楼的地面水平，外部行人和室内的客厅的视线高度发生了变化，得到了隐私和视线的消失。

The front yard has been arranged in parallel to this beautiful landscape by the water， giving relief to the residence.the first-floor level was set approximately 70 cm above the street level， to give different eye level from the people passing by the house.this allows the house to maintain privacy.

另外，将整个房子作为一个房间来对待，跳过设置了6个用途不同的地板。掌管这个配楼的是在房子中心设置的钢结构楼梯。由于各楼层具有高度差并连接在一起，所以在各个空间保持固有性的同时，能够得到恰到好处的距离感和各种各样的“风景”。因为分隔空间的门窗也很少，所以也有很大的成本节约作用。

" one room " is the concept of the houp he house has six stories，and the steel staircase in the center of the house is organizing these stories.each story is connected with level gaps， having its originality with a nice distance.it is giving various views as well.another benefit is that having a few fittings made this his hous bece becouse becouse

TC-01 初代椅：正如迪克·布鲁纳（Dick Bruna）笔下的简笔画房屋能让孩童到成人都瞬间心领神会，这把椅子亦追求着同样的设计本源——宛如孩子人生初绘的椅子简笔画，纯粹至极。

TC-11：意大利大师吉奥·庞蒂（Gio Ponti）设计的"Superleggera"超轻椅，据传源自19世纪基亚瓦里椅（Chiavari Chair）的雏形。藤编工匠加藤先生表示，虽然他曾多次为这把名椅更换椅面，却从未见过其框架损坏。怀着对这件"超轻却强韧"的大师杰作的敬畏之心，我尝试进行了自己的再设计。